“The Snow Geese” at Meadow Brook Theatre, Oakland University Campus, Rochester Hills MI

Reviewed by Suzanne Angeo (Member, American Theatre Critics Association)

and Greg Angeo (Member Emeritus, San Francisco Bay Area Theatre Critics Circle)

 Photos courtesy of Meadow Brook Theatre

Ricky Gee, David Wolber, Tim Stone, Sara Kmiec (background)

Anxious Gathering of the Flock at Meadow Brook

It’s 1917. War is raging not only in Europe, but also right here at home in Upstate New York, in the splendid hunting lodge of the genteel Gaesling family. The family has had a long tradition of meeting each fall in their elegant lodge for fine dining, fine shooting, and fine luxuries. But this year is different. They find themselves dealing with loss on an uncomfortable number of levels. The eldest son and family scion is packing off to war. The younger son has made a shocking discovery that will profoundly change their lives. And their mother has just lost her husband, the beloved father of her boys.

“The Snow Geese” by American playwright Sharr White opened on Broadway to mixed reviews in October 2013, running for several weeks. It attempts to address the timeless themes of materialism, sibling rivalry, and the loss of privilege and security. Fear is a strong undercurrent running just below the surface of most of the characters’ interactions.

Debbie Williams as the recently widowed matriarch Elizabeth uses a melodramatic approach to her character.  At times she’s not quite convincing.  But when she slips into a more naturalistic style, she also can be touching, especially during the flashback scenes with her late husband Theodore (Ron Williams).

Debbie Williams, Ricky Gee (standing), Tim Stone

Clarissa (Julia Glander), Elizabeth’s eccentric and sanctimonious older sister, brings a crackling tension and conscience to the proceedings. Her German husband Max (David Wolber) offers an amiable contrast, but also serves as an inconvenient reminder of the conflict overseas, as does their servant Viktorya (Sara Kmiec). Brothers Duncan (Tim Stone) and Arnold (Ricky Gee) display great affection, but also an ongoing conflict. Each set of siblings, sisters and brothers, have their own rivalry going on.

There’s a bit of a mystery in the playwright’s reason for choosing the title. What could it be? Gaesling is Danish for “young goose”. The family has a tradition of hunting geese each fall. And the deep denial of most of the family about their new circumstances recalls that old saying, “You silly goose”!

It’s a good ensemble cast, capably directed by Travis Walter. The script’s dramatic tension seems diffused, however, and the rather morose story lacks focus.  The characters aren’t all that remarkable, either, despite the excellent efforts of the performers.  The playwright’s material just does not give the actors or director enough bright spots of humor, or even pathos, to lend some interest.

Period furnishings by Jen Price Fick and wardrobe by Corey Collins lend authenticity, with music of the era courtesy of a grand old Victrola near center stage. The set is imposing, with its massive hewn beams, and the backdrop of skeletal trees suggesting lean times ahead.

When: Now through April 15, 2018

2:00 p.m. and 8:00 p.m. Wednesdays, and Saturday, April 14

8:00 p.m. Thursdays and Fridays

6:00 p.m. Saturday, April 7

2:00 p.m. Sundays, and 6:30 p.m. Sunday, April 8

Tickets $28 to $43

Where: Meadow Brook Theatre at Wilson Hall

Oakland University

378 Meadow Brook Rd

Rochester Hills, MI 48309

(248) 377-3300

www.mbtheatre.com

Meadow Brook Theatre’s season is supported in part by the Michigan Council for Arts and Cultural Affairs, the National Endowment for the Arts, the Kresge Foundation, the Fred and Barbara Erb Family Foundation, the Shubert Foundation and the Meadow Brook Theatre Guild.

About the Author

Suzanne AngeoGreg and Suzanne Angeo have been reviewing live theatre as a team since 2010. Greg has over 50 years of professional theatrical training and acting experience in Los Angeles, San Francisco, Berkeley and New York City. For several years, beginning in 2000, he served as Assistant Artistic Director for the Dominican Players at Dominican University in San Rafael, CA, with Artistic Director Dr. Annette Lust. Suzanne has been writing for most of her life, including essays and articles while serving as newsletter editor for county organizations. She was involved in community theatre, and served on playreading committees and as a script doctor for a number of productions. Suzanne and Greg were members of the San Francisco Bay Area Theatre Critics Circle for several years before moving to Michigan, where they continue to review live theatre. Suzanne is currently a member of the American Theatre Critics Association.View all posts by Suzanne Angeo →