A Fox on the Fairway, Meadow Brook Theatre, Rochester Hills MI

Reviewed by Suzanne Angeo (member, American Theatre Critics Association)

and Greg Angeo (Member Emeritus, San Francisco Bay Area Theatre Critics Circle) 

Photos courtesy of Meadow Brook Theatre

“Fox” Hits a Hole in One at Meadow Brook

Lucas Wells, Wayne David Parker, Cheryl Turski

A good farce, well executed, is probably the most fun you can have in the theater. It won’t necessarily change your life or point of view, but it can offer the best kind of escape. It’s got the elusively buoyant quality of a souffle; if even one element is off, the whole thing collapses.

Meadow Brook Theatre’s presentation of “A Fox on the Fairway”, Ken Ludwig’s rowdy, light-hearted homage to classic farce, is a well-turned out confection that’s sure to please. First presented in Virginia in 2010, it’s got all the door-slamming, romantic intrigue and embarrassing predicaments anyone could wish for, with a happy ending, of course. Ludwig is perhaps best known for his Tony-Award winning smash Broadway hit “Lend Me A Tenor”, another farce of the highest order.

Like that souffle, the ingredients as well as the execution are of critical importance, and “Fox” has the best of both. Supple, attentive direction by Travis Walter maintains the gleefully frenetic, tight-as-a-drum pacing so essential to the success of the show.  At times the six cast members seem to bounce off of each other like pinballs, each one holding up their part in the crazy game.

Lucas Wells, Stephanie Nichols, Wayne David Parker, Phil Powers, Olivia Ursu, Cheryl Turski

The massive set by Brian Kessler presents us with a gorgeous vista, so welcome in the deeps of January gloom – a green sweep of a golf course – summer grass and graceful trees seen through the high windows of the Quail Valley Country Clubhouse. One by one, the characters emerge with clever one-off lines about sex, life, and of course, golf. We learn that just about everybody loves somebody else with a mad passion, treachery is afoot, and the annual tournament between Quail Valley and its arch-rival, Crouching Squirrel Country Club, carries stakes higher than anyone can imagine.

New assistant Justin (Lucas Wells) gets engaged to waitress Louise (Olivia Ursu), and it turns out they both have hidden talents. Quail Valley’s president, Henry Bingham (Wayne David Parker channeling Mel Brooks) goes head-to-head with his nemesis, the notorious Dickie Bell (Phil Powers), president of Crouching Squirrel. Henry’s formidable wife Muriel (Stephanie Nichols) has her suspicions whenever Henry’s lovely vice president Pamela Peabody (Cheryl Turski) is around, which is often.

Each of the ensemble cast is excellent in their own right, and there are many memorable moments, but one that brought down the house is…shall we call it…the Dance of the Oyster Woman? Sure, some of the jokes are groan-worthy and the action is a bit formulaic, but the story is so entertaining, and it’s in good fun, after all.

Wayne David Parker, Cheryl Turski, Lucas Wells, Olivia Ursu

Mention must be made of the outstanding lighting effects by Reid G Johnson, which reflects changes in the time of day and weather at Quail Valley, and any altered mental states experienced by the characters.

“A Fox on the Fairway” is a fun romp, a madcap adventure not to be missed.

When: Now through February 3, 2019

8:00 p.m. Wednesdays, Thursdays, Fridays & Saturdays

6:30 p.m. Sundays

2:00 p.m. Wednesdays & Sundays; Saturdays January 19 & February 2

Tickets $36 to $45

Where: Meadow Brook Theatre at Wilson Hall

Oakland University

378 Meadow Brook Rd

Rochester Hills, MI 48309

(248) 377-3300


Meadow Brook Theatre’s season is supported in part by the Michigan Council for Arts and Cultural Affairs, the National Endowment for the Arts, the Kresge Foundation, the Fred and Barbara Erb Family Foundation, the Shubert Foundation and the Meadow Brook Theatre Guild.

About the Author

Suzanne AngeoGreg and Suzanne Angeo have been reviewing live theatre as a team since 2010. Greg has over 50 years of professional theatrical training and acting experience in Los Angeles, San Francisco, Berkeley and New York City. For several years, beginning in 2000, he served as Assistant Artistic Director for the Dominican Players at Dominican University in San Rafael, CA, with Artistic Director Dr. Annette Lust. Suzanne has been writing for most of her life, including essays and articles while serving as newsletter editor for county organizations. She was involved in community theatre, and served on playreading committees and as a script doctor for a number of productions. Suzanne and Greg were members of the San Francisco Bay Area Theatre Critics Circle for several years before moving to Michigan, where they continue to review live theatre. Suzanne is currently a member of the American Theatre Critics Association.View all posts by Suzanne Angeo →